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December 16, 2014Chamber Music AmericaRichard received a Chamber Music America New Jazz Works Grant for 2014-15. "The Evolution Project" will feature a suite of new music for Jazz Quintet, String Quartet, and Electronics to be premiered in NYC in 2015.
September 1, 2014Richard Sussman China Tour (May-June, 2014)Richard has been invited back to China in May-June, 2014. He will be performing and teaching at the Shanghai Conservatory, Sichuan Conservatory in Chengdu, and Xinghai Conservatory in Guangzhou, as well as performing at clubs including the JZ Clubs in Shanghai and Hangzhou with his Shanghai Quintet featuring Alec Haavik on tenor sax.
Richard Sussman is an accomplished jazz pianist, composer, synthesist, and educator. His varied career as a performer has included performances and/or recordings with such diverse artists as Lionel Hampton, Randy Brecker, Lee Konitz, Steve Slagle, Houston Person, Buddy Rich, Blood Sweat & Tears, David Sanborn, Marty Balin, Country Joe McDonald, Carly Simon, and Donna Summer. His jazz discography includes four albums of original music as a leader, including the critically acclaimed "Free Fall" (Double-Time Records) and “Live At Sweet Rhythm” (Origin Records). Richard’s most recent studio recording was recorded with his quintet featuring Randy Brecker-tpt & flg hrn, Jerry Bergonzi-tnr sx, Mike Richmond-bs, Jeff Williams-dr, and Richard-pno & synthesizer, with a cameo appearance by guitarist Mike Stern on one tune. The new recording, entitled “Continuum”, was released in June 2012 on Origin Records, to critical acclaim, and features original compositions by Richard.

Richard’s large-scale jazz and orchestral compositions have been performed by the Village Vanguard Orchestra, the Westchester Jazz Orchestra, the Metropole Orchestra (Amsterdam), the Manhattan School of Music Jazz Orchestra, and the American Composers Orchestra in New York, to name a few. He has received two NEA grants in Jazz Composition, as well as the prestigious ASCAP Jazz Composition Award in 2008. He was selected to be a participant in the Jazz Composers Orchestra Institute, sponsored by the American Composers Orchestra, in August 2012, and was subsequently selected to compose a new composition for orchestra which was premiered by the ACO in June, 2013.

Richard’s original composition “Ivories Tower”, a big band arrangement written for the ASCAP commission and honoring jazz legend Hank Jones, was premiered by the Chicago Jazz ensemble under the direction of Jon Faddis in February 2009. The work was subsequently performed by the Metropole Orchestra (May, 2009) with Hank Jones as the featured soloist.

Richard’s meeting with Hank Jones led to further arranging work with the maestro, including editing and music preparation for The Hank Jones Songbook of Hank’s little known original tunes (2010). This was to be followed by a studio date of this material with arrangements by Sussman, a project that unfortunately never materialized due to Hank’s untimely passing in the summer of 2010. Richard’s extensive work in the field of film and television scoring has included projects for ABC, NBC, CBS, Nickelodeon, and Disney, as well as numerous independent films and videos.

Richard has an ongoing and active commitment to music education. He has been a member of the jazz faculty at Manhattan School of Music since 1986, where his responsibilities have included private composition lessons, teaching and developing curriculum for jazz arranging classes, as well as managing all aspects of the Electronic Music Technology Recording Studios and related courses for the Jazz Department. Richard Sussman’s book “Jazz Composition and Arranging In the Digital Age”, co-authored with Michael Abene (Oxford University Press, 2012), has been hailed as a comprehensive and trend-setting text for jazz composers in the 21st century.

Richard also received the College Music Society Fund Award for Excellence in Music Technology in 2013 for developing a two-year Masters degree program in Music Technology and Contemporary Media at the Manhattan School of Music. Richard continues his commitment to education as a member of the Jazz Education Network, College Music Society, and frequent clinician at national conferences by IAJE, JEN, CMS, TI:ME, CMS-NAMM Generation Next, and at many schools around the world.

Richard has directed much of his creative energy over the years towards exploring ways of integrating diverse musical elements such as jazz improvisation, contemporary classical compositional techniques, electronics, and contemporary pop music. He was recently awarded a New Jazz Works grant from Chamber Music America in 2014 to continue his explorations in this area with the composition of a new suite for jazz group, string quartet, and electronics. Richard continues to build a presence in the avante-garde, hybrid world of classical New Music, with recent appearances at the Tribeca New Music Festival, Composers Concordance Festival, and Tania Leon’s Composers Now Festival in New York.

Richard Sussman is a skilled and experienced clinician, and is available for master classes and residencies in the areas of jazz composition, arranging, theory, improvisation, and many areas of music technology, including film scoring. He has traveled to China twice, performing and teaching master classes at major conservatories there. For his most recent trip to China in May, 2014, he authored the book "Jazz Theory and Improvisation", translated to Mandarin and targeted specifically to the Chinese students and educators.

as a


Richard Sussman QuintetContinuum2012When pianist/composer Richard Sussman’s extraordinary debut album Free Fall was first released over 30 years ago, it quickly became a classic. The reunion live recording of this incredible band, consisting of renowned trumpeter Tom Harrell, saxophonist Jerry Bergonzi, bassist Mike Richmond, drummer Jeff Williams, and pianist Richard Sussman was released as The Richard Sussman Quintet Live At Sweet Rhythm on Origin Records on June 19, 2012.

Continuum represents the third recording by this stellar group, and the first studio recording since the original “Free Fall” session. With the exception of trumpeter Randy Brecker replacing Tom Harrell in the line-up, Sussman returns with saxophonist Bergonzi, bassist Richmond, and drummer Williams, with a special guest appearance by guitarist Mike Stern on one tune. The new recording honors the unique musical chemistry of the group with a program of mostly original Sussman compositions, along with classics “Alone Together” and “Theme For Ernie”. Continuum received significant radio airplay through October, 2012.  Continuum peaked at #4 on the College Music Journal, #4 on the Roots Music Report (including 6 consecutive weeks in the RMR top 10), and #42 on the Jazz Week Charts.

Continuum - a continuous non-spatial whole or extent or succession in which no part or portion is distinct or distinguishable from adjacent parts - the continuum of experience in which events pass from the future through the present to the past. Although circumstances and events may appear to change dramatically over time, there is always a thread running through it all, establishing a continuity of consciousness and spirit.
"Continuum" – the composition and recording – represents the integration and coalescence of a wide variety of musical and stylistic experiences spanning several decades, illustrating the continuity or “Continuum” through many seemingly disparate elements of my musical journey.  To provide continuity for this project, I reassembled the band from “Free Fall” (with the exception of Tom Harrell and Larry Schneider), my first studio recording as a leader, recorded in 1978.

I feel incredibly privileged to have once again been able to surround myself with some of the most talented and creative musicians on the planet:  Jerry Bergonzi, Mike Richmond, and Jeff Williams.  The incredible Randy Brecker joins us on trumpet and flugel horn.  And guitar wizard Mike Stern honors us with a special guest appearance on one tune.
-Richard Sussman, April, 2012

Richard Sussman - piano, synthesizer

Randy Brecker - trumpet, flugelhorn

Jerry Bergonzi - tenor saxophone

Mike Richmond - acoustic bass

Jeff Williams - drums

Mike Stern - guitar (on "Mike’s Blues")

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Richard Sussman QuintetLive at Sweet Rhythm2010The reunion of this incredible band, consisting of renowned trumpeter Tom Harrell, saxophonist Jerry Bergonzi, bassist Mike Richmond, drummer Jeff Williams, and pianist Richard Sussman was captured in a rare and exciting performance live at NYC jazz club Sweet Rhythm in June, 2003.

Besides some of Sussman's tunes from the original Free Fall recording, the band also explores several new originals as well as a few standards that showcase the spectacular talents of soloists Tom Harrell & Jerry Bergonzi.

Richard Sussman - piano

Tom Harrell - trumpet, flugelhorn

Jerry Bergonzi - tenor saxophone

Mike Richmond - acoustic bass

Jeff Williams – drums

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Richard Sussman QuintetFree Fall1979When pianist/composer Richard Sussman’s extraordinary debut album Free Fall was first released over 20 years ago, it quickly became a classic. Originally issued on Inner City Records, Free Fall not only received wide critical acclaim, but also served as inspiration to a generation of young musicians. The eminent educator David Baker even used it for many years at the University of Indiana as a prime example of contemporary jazz.

Unavailable since the demise of Inner City, Free Fall has been reissued by Double-Time Records and proves to be as stimulating, original and immediate as it was when first produced over two decades ago.

The seven Sussman originals that comprise the album display a highly original style, reflecting the eclectic musical experiences he’s had over the years. Performing and arranging for Lionel Hampton and Blood, Sweat and Tears among others, Sussman also worked with such jazz greats as Lee Konitz and Buddy Rich, along with diverse talents like Carly Simon and Little Anthony & the Imperials. He’d also composed part of the soundtrack to Midnight Cowboy and was a veteran of several Broadway pit orchestras, including Jesus Christ Superstar and Oh Calcutta.

While all of these experiences contributed to his overall musical vision, Free Fall is an album of uncompromising and challenging progressive jazz. Like much of the most adventurous jazz “mainstream “ of the ‘70s, the inspiration of Miles Davis’ classic “free-bop” quintet of the ‘60s (and its members, Wayne Shorter and Herbie Hancock) is clearly apparent. And the powerfully edifying music contained on it fiercely disputes the current revisionist notion that the late ‘70s was an unproductive period in jazz history.

As richly complex and lyrically appealing as Sussman’s compositions are, they blossom beautifully in the hands of the date’s superb musicians.

Tom Harrell, who has since gained a reputation as one of jazz’ finest and most articulate trumpeters proves why throughout the album, especially in his scalding solo on the blazing title cut.

Tenorman Larry Schneider’s passionate solo highlights the complex and episodic mid-tempo driver, Lady of the Lake, switching to flute on the easy groove of the gently yearning Colors and the nicely syncopated Street Fair.

Renowned tenor saxophonist Jerry Bergonzi takes over the big horn duties with a scorching solo on Dance of the Spheroids, a darkly lustrous piece. Bergonzi also performs on the album’s closer, Tiahuanaco, a driving piece built on a mild backbeat that turns into a blistering 4/4 excursion during the solos.

The rhythm team of bassist Mike Richmond and drummer Jeff Williams has propelled many ensembles over the years, and here they’re at their best. Tightly knit, highly empathetic and consistently inventive, they handle all of the complexities and shifts with ease, providing a perfect setting for the energetic and probing soloists. Willaims' solo interlude between the first two tunes demonstrates his superb musicality and rhythmic intensity, and Richmond’s solos on Dance of the Spheroids, and the trio piece, The River, display the deeply resonant, woody sound and brilliant creativity for which he’s known.

As a soloist, Sussman combines deft lyricism with a strikingly original harmonic sense and formidable technique, producing solos that are models of form and rhythmic intensity. His darkly probing solo on the title cut simply bursts with ideas, and he transforms the serene theme of The River into a mysterious, kaleidoscopic exploration of abstract harmonies during his sojourn through its currents.


Richard Sussman - piano

Tom Harrell - trumpet, flugelhorn

Jerry Bergonzi - tenor saxophone

Larry Schneider - tenor saxophone, flute, alto flute

Mike Richmond - acoustic bass

Jeff Williams - drums

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NOW AVAILABLE:



Jazz Theory and Improvisation
In Mandarin!


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点击这里
来订购理查德•萨斯曼先生的最新教材“爵士理论和即兴”中文版,
此书谨献给中国有天赋的学生和音乐家们。






Jazz Composition and Arranging
in the Digital Age

Click Here to Purchase


Jazz Composition and Arranging In the Digital Age is a comprehensive and practical instructional book and reference guide on the art and craft of jazz composition and arranging for small and large ensembles. Composers and arrangers Richard Sussman and Michael Abene combine their extensive experience as musicians and instructors to demonstrate how advances in music technology and software may be integrated with compositional concepts to form a new and more efficient paradigm for the creative process. An extensive companion website provides listening examples for each chapter as well as enhanced software tips, appendices of basic principles, and an expanded recommended listening list for further study.

• Presents traditional jazz arranging concepts alongside contemporary music technology and notation software
• Features real world applications of the technology as actually used by the contemporary composer/arranger
• Illustrates principles using familiar tunes
• Covers both small and large jazz ensembles
• Emphasizes the creative, artistic, and aesthetic aspects of the process
• Includes comprehensive and up-to-date companion website as well as helpful listening lists for further study

What people are saying...

“Jazz Composition and Arranging in the Digital Age is a must have for any musician who plans to be a jazz musician. As composition and arranging are integral parts of developing a sound and style as a jazz artist, this book covers the basic considerations that will provide the skills to allow this to happen. Richard and Mike have left no stone unturned in laying out the fundamentals of composition and orchestration. This is a great book compiled by two fantastic musicians. I've already learned several things on the first read-through, and am looking forward to going back for more.”
Bob Mintzer

"Jazz Composition & Arranging In the Digital Age by Richard Sussman & Michael Abene is quite amazing! I'm sure it will set a new standard in jazz education."
Randy Brecker

"Richard Sussman and Michael Abene have created an all encompassing look into the techniques and methods for realizing a musical arrangement in the 21st century. However, what really sets this book apart is the great care the authors take to emphasize that the only true guide for any musician is one's inner ear and creative instincts, thus constantly encouraging the reader to assume ultimate responsibility and ownership of the creative process."
Gil Goldstein

"Unique and cutting edge. Just when it seemed the subject had no new approaches to uncover along comes Sussman and Abene. Grounded with solid basics and served up in the language of today's computer-enhanced music world. An extraordinary, must-have reference for all arrangers from the beginner to the seasoned pro."
Gary Anderson
Arranger / Orchestrator for TV & Film

"This is one of the most comprehensive books ever written on the subject and the detailed helpful hints on using Finale or Sibelius make it THE book to use in this new century. This textbook is invaluable for college teachers and their students."
Richard DeRosa
Professor of Jazz Composition and Arranging,
University of North Texas


"A comprehensive book--both musically and technologically--for the 21st-century jazz composer-arranger, written by two masters of the art."
Bill Kirchner
Jazz musician/producer/historian/educator, and editor of The Oxford Companion To Jazz

"Richard Sussman is a great arranger - I wish I had met him 10 years earlier."
Hank Jones

Click Here to Purchase
Jazz Composition and Arranging in the Digital Age





Richard Sussman Educational Resources



JAZZ PIANIST
COMPOSER
CLINICIAN



• Available as a guest soloist, or in various small group settings from duos to sextet
• Available for performances with larger ensembles, including jazz big band and symphony orchestra
• Available as composer/arranger for small and large ensembles
• Available for jazz improv, theory, and composition clinics

MUSIC TECHNOLOGY WORKSHOPS & CLINICS


Richard Sussman offers a wide variety of clinics, workshops, and master classes in many areas of Music Technology including the following:

• Basic to Advanced Sequencing and Audio Recording Techniques
• Music Notation Software
• Basic Principles of Electronic Sound Synthesis
• Scoring to Picture for Film and TV
• Developing a Music Technology Curriculum
• TI:ME Certification Courses
• Add a Music Technology component to your summer jazz camp!

All Jazz and Music Technology Clinics can be tailored to the specific needs of your institution, and can range from a 2-3 hr master class or 1 day intensive workshop, to a 1-2 week comprehensive course. All Technology Clinics will be adjusted to accommodate the technical resources available at your location.

MUSICIAN
CLINICIAN
EDUCATOR


Richard Sussman is an accomplished pianist, composer, music technologist, and educator. He has been a professor of jazz composition at the esteemed Manhattan School of Music in New York City since 1986.

“Technology plays a vital role in the creation of music in the 21st century. We have a responsibility as educators to ensure that these powerful tools are used in the most musical, dynamic, and expressive ways possible”
Richard Sussman

CONTINUUM

Great stuff. Enjoyed the entire project!Michael FagienJazziz
Sussman’s excellent composing and playing is the driving force at the center of Continuum, mining countless riches from the keyboard.Terrell HolmesNew York City Jazz Record
Continuum is just beautiful. Great tunes, great playing, and I LOVE the synth textures and awesome synth solos!!Joe LockeVibraphonist
5 Stars! “Richard Sussman is a bit of a genius - his keyboard skills are matched by his compositional skills and his ability to gather about him a group of musicians so fine that they can make a small group have all the distinction and camaraderie of a Big Band Sound. This is his second recording in two years and we can only hope that he will get around to making a new release every year!Grady HarpAmazon.com
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LIVE AT SWEET RHYTHM

Sussman is a first rate composer, and the new release features a stellar lineup of first-magnitude players led by Harrell and Boston-based tenor titan Jerry Bergonzi.Tom GreenlandAll About Jazz
Live at Sweet Rhythm is truly a group effort. You can hear the joy and zest of the musicians, who listen intently to one another throughout. Even after 25 years apart, the bandmates share an undeniable synergy, which explains the lasting appeal of their sole studio recordingRoss BoissoneauJazziz
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Given the stature of the performers, it comes as no surprise that the playing on Live At Sweet Rhythm is magnificent. The leaders’ own well-constructed solos reflect his solid status as a composer.David FranklinCadence
Live At Sweet Rhythm is music without peer.C. Michael BaileyAllAboutJazz.com

FREE FALL

an extremely talented pianistBillboard
a flair for well-wrought melody and firmly structured solos... with an interest in dark, deep, and even mysterious themes.Neal TesserDownbeat
What makes Free Fall so memorable is the totality of its gifts —its compositions, its solos, the precocious fluidity of its musicians, its timelessness.Don Williamson52ndStJazz.com
Free Fall is unquestionably a jazz classic and Sussman is clearly one of jazz music's top composers who displays a fierce individuality and rare beauty.Marshall BowdenJazzitude.com
Free Fall is the re-release of a classic... Sussman produced a truly great document.C. Michael BaileyAllAboutJazz.com

Upcoming Performances

Thursday, January 8, 2015
w/ Gene Perla, bs
Manchester Grand Hyatt
San Diego, CA
At the Jazz Education Network National Conference

view map

Past Performances

Saturday, December 13, 2014
The Richard Sussman Quintet
New York, NY
featuring:
Scott Wendholt - trumpet & flugel horn
Rich Perry - tenor sax
Mike McGuirk - bass
Anthony Pinciotti - drums
Richard Sussman - piano

Performing a Mix of Sussman Originals
and Music by the Great Hank Jones

November 29th - December 7th, 2014
Composers Concordance 2014 Festival
Spectrum NYC
New York, NY
On November 29th at 7pm at Spectrum NYC, Composers Concordance launches its 4th Annual Festival, entitled 'Anniversaries.' The celebrations begin with a program entitled 'Wingjammer,' commemorating the 50th anniversary of the Buffalo Wing! Original compositions featuring improvisation will be performed by no fewer than twenty-six of NYC's cutting-edge composers, including Doug Balliett, Lynn Bechtold, Ken Butler, Glenn Cornett, Franz Hackl, Arthur Kampela, Jessica Meyer, Daniel Palkowski, Milica Paranosic, Richard Sussman, and Zach Seely. Buffalo Wings from different NYC restaurants will be served.
Thursday, November 20, 2014
The Richard Sussman Evolution Project
Shapeshifter Lab
Brooklyn, NY
Performing Experimental New Music
by Richard Sussman
featuring:

Rich Perry - tenor sax
Peter Brendler - acoustic & electricbass
Anthony Pinciotti - drums
Richard Sussman - piano, synthesizer, & laptop
Zach Brock - violin
Fung Chern Hwei - violin
Lev Zhurbin - viola & fadolin
Mindy Asher - cello

Friday, October 10, 2014
Lee Konitz Quartet
Nyack Library
Nyack, NY
Richard Sussman, piano
Cameron Brown, bass
George Schuller, drums

Union Street Music, Inc.


Richard Sussman's Production Company
for Film, TV, Multimedia, and Publishing



NOW AVAILABLE:



Jazz Theory and Improvisation
In Mandarin!


Click here to order from a location in the US

Click here to order from a location in China:
点击这里
来订购理查德•萨斯曼先生的最新教材“爵士理论和即兴”中文版,
此书谨献给中国有天赋的学生和音乐家们。





Richard Sussman, the creative director and principal composer of USM, has more than 20 years experience composing for film and TV. He has successfully scored hundreds of TV episodes, as well as numerous films and other commercial projects. Recent USM projects include original music for the Jane Pauley Show on NBC, an original theme for the ABC News program "This Week with George Stephanopoulos", scores for independent films "Menage a Trois" by Kimberly Weatherell, "The Pretenders" and "Good Tidings" by Matt Morillo, "Indian Cowboy" by Nikhil Kamkolkar, as well as original music for "Guiding Light" (CBS), "America's Most Wanted" (Fox), "The Knot Weddings" (Oxygen), and music production and sound design for Walden Family Playhouse. Other projects have included three full seasons of the hit children's TV series: Gullah Gullah Island" on Nickelodeon and "Out Of the Box" on the Disney network, "Bear in the Blue House" (Disney), "Another World" (NBC), "20/20 Downtown" (ABC), and themes for "The Tim McCarver Show" (MSG), and "Your Money & Your Life" (Oxygen), as well as many commercials, documentaries, industrials, and independent films.

Richard also has extensive experience as a jazz and rock keyboardist and composer, including performances with Lionel Hampton, Blood Sweat & Tears, Donna Summer, David Sanborn, Little Anthony, and many others. Richard has also gained recognition as leader of an original and innovative jazz quintet. His critically acclaimed recording "Free Fall" is now available on Double-Time Records. Writing credits include 2 NEA grants in composition, a 2003 commission for the Manhattan School of Music Jazz Philharmonic Orchestra, as well as arrangements for Lionel Hampton, BS&T, Randy Brecker, and others.

We are continuing to expand our creative roster at Union Street Music. Terry Silverlight (Pop & Hip-Hop), Chris Eminizer & Dave Keyes (Pop & Dramatic Underscoring), Didier Rachou (Pop & Dramatic Underscoring), Rosino Serrano (Latin, Orchestral, & Dramatic Underscoring), Michael Patterson (Orchestral & Dramatic Underscoring), and Steve Gorn (World Music/New Age), all with impressive film & TV credits, are all available to lend their unique creative talents to our scoring projects. We are also especially proud to offer for licensing an extensive catalogue of World Music consisting of over 1000 tracks of music from around the world. The "Music of the World" Catalogue Sampler is represented on Track #51 of our Scoring CD. Many other tracks on the CD are also available for licensing. Please check inside the CD front cover for details.

USM can provide you with the highest quality original music in a wide variety of styles, as well as state of the art facilities for recording and syncing sound to picture. Our main production facility is now located in Nyack, NY, a short distance north of New York City. We’ve maintained relationships with several midtown facilities, including Beat Street Productions, and Palace NYC, for production, meetings, and screenings, when necessary. In addition to original music, we are also able to offer a full range of audio post-production services including SFX placement, audio mixing, editing, voice-over, and duplication services.

Richard Sussman, along with the other members of the USM creative roster, form an unbeatable team with the skills, creativity, and professionalism to tackle virtually any scoring assignment.

Contact Richard Directly At:
richard@richardsussmanjazz.com

Richard's Albums

Other Recordings

PHOTO GALLERY


ARCHIVES


"Waiting" MSM 4.15.11-DV.mov - YouTube
Richard Sussman Quintet Manhattan School of Music Faculty Recital 4.15.11 Richard Sussman-pno, Joe Magnarelli-tpt, Steve Slagle-as, Mike Richmond-bs, Jeff Williams-dr
Richard Sussman
Evolution 2
Electro-acoustic music composed and produced by Richard Sussman.
Computer Programming, Piano, Synthesizer - Richard Sussman.
Trumpet - Scott Wendholt.
Edited.
LISTEN
Richard Sussman
Ivories Tower
Metropole Orchestra
Jim McNeely
Richard Sussman's tribute to Hank Jones.
Performed by Metropole Orchestra at The Haag Jazz Festival.
Featured Soloist: Hank Jones, piano.
Edited.
LISTEN
Richard Sussman
Spirit Guide
Composed for Jenny Q Chai.
Music for Solo Piano and Electronics.
Live recording not yet available.
Edited MIDI Mockup.
World Premier - Leo Brouer Festival, Havana, Cuba, 10/7/14
LISTEN
Richard Sussman
Cicada Love Dance
Composed for Martha Mooke and Scorchio.
Featuring Zach Brock-violin solo.
Edited version.
The Cutting Room, NYC
LISTEN
Richard Sussman
All Will Be Revealed
Richard Sussman-pno.
The Sirius String Quartet:
Gregor Huebner-vln, Chern Hwei Fung-vln, Ron Lawrence-vla, Ruben Khodeli-vcl.
LISTEN
Richard Sussman
Convergence B
Delta David Grier
The American Composers Orchestra.
Miller Theatre, Columbia University, NYC
LISTEN
Hank Jones
A Major Minor Contention
The Hank Jones Tribute Project.
Arranged by Richard Sussman.
Richard Sussman-pno, Cameron Brown-bs, Tony Jefferson-dr, Adam O'Farril-tpt, Steve Slagle-alto sax & flute, Jonathan Ragonese-tnr sx, clar, bs clar, isaac Kaplan-tbn.
LISTEN
Hank Jones
Alone and Blue
The Hank Jones Tribute Project.
Arranged by Richard Sussman.
Richard Sussman-pno, Cameron Brown-bs, Tony Jefferson-dr, Adam O'Farril-tpt, Steve Slagle-alto sax & flute, Jonathan Ragonese-tnr sx, clar, bs clar, isaac Kaplan-tbn.
LISTEN


Richard Sussman
Jazz Quintet

The critically acclaimed Richard Sussman Quintet has been acknowledged as an innovative and influential force in modern jazz for over 30 years. The group has featured some of the top players in jazz, including Tom Harrell, Jerry Begonzi, Randy Brecker, Bob Mintzer, Dick Oatts, Mike Stern, Mike Richmond, and Jeff Williams. Susman’s three recordings as a leader with this band always feature his uniquely original and compelling compositions. His debut recording as a leader, "Free Fall" (Double-Time Records), has been called “one of the seminal recordings of the late ‘70s” by jazz trumpeter Brian Lynch, and has become something of an underground classic over the years, highly praised by musicians, critics, educators, and jazz cognescenti.

The group released a live recording, “The Richard Sussman Quintet Live at Sweet Rhythm” on Origin Record in 2010, featuring a reunion of the personnel from the classic “Free Fall” recording. Sussman’s most recent quintet recording, “Continuum” (Origin Records 2012), features original compositions by Richard performed by Randy Brecker-trumpet & flugel horn, Jerry Bergonzi-tenor sax, Mike Richmond-bass, Jeff Williams-drums, and Richard-piano & synthesizer,with a guest appearance by Mike Stern on guitar. The recording received widespread critical acclaim, with a strong radio campaign throughout 2012. Continuum peaked at #4 on the College Music Journal, #4 on the Roots Music Report (including 6 consecutive weeks in the RMR top 10), and #42 on the Jazz Week Charts.

The
Richard Sussman
“Evolution” Ensemble

In addition to his accomplishments as a modern jazz pianist and composer/arranger, Richard Sussman has also pursued and developed his interest and passion for music technology and the use of synthesizers and electronics in music. He received a Grammy award for his work as synthesizer programmer on Randy Brecker’s 1998 release “Into The Sun”. His extensive work in the field of film and television scoring has included projects for ABC, NBC, CBS, Nickelodeon, and Disney.

Sussman’s creative work in the area of music technology has coalesced into a new ensemble – “The Evolution Ensemble” – which features Sussman’s skill as a cutting edge programmer, performer, and composer in this realm. The music for this ensemble integrates Sussman’s many varied influences and areas of expertise, including straight ahead jazz, electronics, contemporary classical composition, and pop music, and features members of the acclaimed Sirius String Quartet along with top jazz soloists such as Randy Brecker, Scott Wendholt, Jerry Bergonzi, and Rich Perry, along with a jazz/funk rhythm section, and Sussman performing on piano, synthesizer, and laptop. The result is a truly cutting edge blend of highly original and marketable music with a completely contemporary appeal.

Sussman recently received a Chamber Music America New Jazz Works grant to compose a multi-movement suite of new music for this ensemble to be completed and premiered in 2015.

Richard Sussman
Composer/Arranger

In addition to his work as a jazz pianist and composer for small jazz ensemble and electronics, Richard Sussman has amassed a wide array of credits as a composer for large jazz ensemble, orchestral works, and contemporary classical “New Music”. Sussman’s arrangements for jazz big band have been performed by Lionel Hampton, Mel Lewis, the Chicago Jazz Ensemble, the Westchester Jazz Orchestra, the Manhattan School of Music Jazz Orchestra, the Dean Pratt Big Band, and many others. Richard is a two-time NEA grant recipient for jazz composition, resulting in the composition of two suites for jazz soloist and orchestra which explore the integration of contemporary classical compositional techniques with jazz improvisation.

He has also been commissioned to write numerous arrangements for the acclaimed Metropole Orchestra of Amsterdam, including several arrangements and an original composition for a Hank Jones tribute concert, with Hank as the featured soloist. Richard has recently completed an orchestral composition which was premiered by the American Composers Orchestra in New York in June, 2013.

The
Richard Sussman/Hank Jones
Tribute Project

Richard Sussman was one of the last arrangers to work with Hank Jones before he passed away in May 2010 (at age 91).  Richard’s association with Hank began with the ASCAP Jazz Composition Award in 2008 in honor of Hank Jones.  This led to the composition of “Ivories Tower” by Richard, as well as arrangements of several of Hank’s originals performed by the Metropole Orchestra in May, 2009, with Hank Jones as the featured soloist.  The association continued with Richard working closely with Hank on the editing and preparation of Hank’s original tunes for publication in a Hank Jones Songbook.  The songbook was completed in the Spring of 2010 and is now available on Hal Leonard.

Hank was planning to follow the songbook with a studio recording of his original tunes for 3-4 horns plus rhythm, to be arranged by Richard Sussman. The recording project was something Hank was passionate about, and was scheduled to take place in the Summer of 2010. Unfortunately, Hank became ill and passed in June, 2010. The planned recording never took place. Richard Sussman is committed to completing the arrangements and recording of this material as a tribute to Hank, and to honor his last wishes. Richard would play piano, write the arrangements, and conduct the session, based on his knowledge of how Hank wanted the music to be presented. Ideally the band could be filled out with all-star musicians such as Randy Brecker on trumpet, Steve Wilson on alto sax, Lewis Nash on drums, and others of that caliber.

Richard Sussman
Educator/Author

Richard Sussman has been an integral member of the Jazz Composition Faculty at the highly esteemed Manhattan School of Music in New York City since 1986. His responsibilities at MSM include private composition lessons, teaching and developing curriculum for Jazz Arranging classes, and managing all aspects of the Electronic Music Technology/MIDI Recording Studios for the Jazz Department. He is an established and effective clinician both in the areas of jazz improvisation and composition, as well as music technology and scoring for film and television.

A new, critically acclaimed arranging textbook, “Jazz Composition and Arranging in the Digital Age”, co-authored by Richard and Michael Abene, was published in January, 2012 by Oxford University Press.
Richard Sussman
Evolution 2
Electro-acoustic music composed and produced by Richard Sussman.
Computer Programming, Piano, Synthesizer - Richard Sussman.
Trumpet - Scott Wendholt.
Edited.
LISTEN
Richard Sussman
Ivories Tower
Metropole Orchestra
Jim McNeely
Richard Sussman's tribute to Hank Jones.
Performed by Metropole Orchestra at The Haag Jazz Festival.
Featured Soloist: Hank Jones, piano.
Edited.
LISTEN
Richard Sussman
Spirit Guide
Composed for Jenny Q Chai.
Music for Solo Piano and Electronics.
Live recording not yet available.
Edited MIDI Mockup.
World Premier - Leo Brouer Festival, Havana, Cuba, 10/7/14
LISTEN
Richard Sussman
Cicada Love Dance
Composed for Martha Mooke and Scorchio.
Featuring Zach Brock-violin solo.
Edited version.
The Cutting Room, NYC
LISTEN
Richard Sussman
All Will Be Revealed
Richard Sussman-pno.
The Sirius String Quartet:
Gregor Huebner-vln, Chern Hwei Fung-vln, Ron Lawrence-vla, Ruben Khodeli-vcl.
LISTEN
Richard Sussman
Convergence B
Delta David Grier
The American Composers Orchestra.
Miller Theatre, Columbia University, NYC
LISTEN
Hank Jones
A Major Minor Contention
The Hank Jones Tribute Project.
Arranged by Richard Sussman.
Richard Sussman-pno, Cameron Brown-bs, Tony Jefferson-dr, Adam O'Farril-tpt, Steve Slagle-alto sax & flute, Jonathan Ragonese-tnr sx, clar, bs clar, isaac Kaplan-tbn.
LISTEN
Hank Jones
Alone and Blue
The Hank Jones Tribute Project.
Arranged by Richard Sussman.
Richard Sussman-pno, Cameron Brown-bs, Tony Jefferson-dr, Adam O'Farril-tpt, Steve Slagle-alto sax & flute, Jonathan Ragonese-tnr sx, clar, bs clar, isaac Kaplan-tbn.
LISTEN